sequences of intervals造句
例句与造句
- In his solos, he often superimposed highly complex permutations of the pentatonic scale and sequences of intervals that modulated unpredictably through numerous key centers.
- The species were re-tunings of the central octave such that the sequences of intervals ( the cyclical modes divided by ratios defined by genus ) corresponded to the notes of the Perfect Immutable System as depicted above.
- The root note is associated with a sequence of intervals, beginning with the unison interval ( C, C ), the octave interval ( C, C ), the perfect fifth ( C, G ), the perfect fourth ( G, C ), and the major third ( C, E ).
- Although the names of the modern modes are Greek and some have names used in ancient Greek theory for some of the " harmoniai ", the names of the modern modes are conventional and do not indicate a link between them and ancient Greek theory, and they do not present the sequences of intervals found even in the diatonic genus of the Greek octave species sharing the same name.
- Also according to Ptolemy, Didymus uses the same major third ( 5 / 4 ) but divides the pyknon with the arithmetic mean of the string lengths ( if one wishes to think in terms of frequencies, rather than string lengths or interval distance down from the tonic, as the example below does, splitting the interval between the frequencies 3 / 4 and 4 / 5 by their harmonic mean 24 / 31 will result in the same sequence of intervals as below ):
- It's difficult to find sequences of intervals in a sentence. 用sequences of intervals造句挺难的
- The root note is associated with a sequence of intervals, beginning with the unison interval ( C, C ), the octave interval ( C, C ), the perfect fifth ( C, G ), the perfect fourth ( G, C ), and the major third ( C, E ); in particular, this sequence of intervals contains the thirds of the C-major chord { ( C, E ), ( E, G ) }.
- The root note is associated with a sequence of intervals, beginning with the unison interval ( C, C ), the octave interval ( C, C ), the perfect fifth ( C, G ), the perfect fourth ( G, C ), and the major third ( C, E ); in particular, this sequence of intervals contains the thirds of the C-major chord { ( C, E ), ( E, G ) }.
- The root note is associated with a sequence of intervals, beginning with the unison interval ( C, C ), the octave interval ( C, C ), the perfect fifth ( C, G ), the perfect fourth ( G, C ), the major third ( C, E ), and the minor third ( E, G ); in particular, this sequence of intervals contains the thirds of the C-major chord { ( C, E ), ( E, G ) }.
- The root note is associated with a sequence of intervals, beginning with the unison interval ( C, C ), the octave interval ( C, C ), the perfect fifth ( C, G ), the perfect fourth ( G, C ), the major third ( C, E ), and the minor third ( E, G ); in particular, this sequence of intervals contains the thirds of the C-major chord { ( C, E ), ( E, G ) }.
- The keys of the six Partitas ( B-flat major, C minor, A minor, D major, G major, E minor ) seem to be an irregular sequence, but in fact they form a sequence of intervals going up and then down by increasing amounts : a second up ( B-flat to C ), a third down ( C to A ), a fourth up ( A to D ), a fifth down ( D to G ), and finally a sixth up ( G to E ).
